Take me to Thimphu.
It’s Wild West here. But Billy the Kid would be a
bodhisattva. Wyatt Earp a monk garbed in deep maroon. Buffalo Bill would have
to trade his moniker to Takin Bill, the mountain beast—part cow, part goat,
part water-buffalo—that I’d have thought was a myth had I not seen it with my
own eyes. Trade six-shooters for prayer beads and mani. Trade dusters for the traditional dress of ghos and kiras. Trade bandoleers for kabnay,
honorary sashes. Trade spittin’ tobaccy for betel nut and lime. But keep that
undercurrent of wildness: the feral dogs, the hard looks to strangers; keep the
spittin’ on the streets, and that sour market smell; keep the gathering of men
with an air of trouble about ‘em; keep the drunken and querulous; keep the coquettish
glances; keep that dust blowin’ through town, keep that middle-of-nowhere
adventure feeling, that indigenous
feeling; keep the cacophony, the immensity, the isolation. And picture it all
happening in a mountain town gone loco.
Yeah, you’re gettin’ it, partner.
But there is so much more.
Half the roads are paved in this capital city. They’ve
got fresh paint down and road signs written in Dzongkha. There is not a traffic
light to be seen (in the whole country I’m told), rather an officer in
something like a gazebo, directing traffic with wild gestures. The other half of
the roads are packed dirt, erratically cobbled with stones once buried deep
beneath these towering Himalayas. There is refuse congesting the walkways,
heaps of it piled together and set alight. The conflagrations are toys for
smiling, ash varnished kids, meeting grounds for groups of men, a romantic stop
for couples headed up Lover’s Lane.
The Bhutanese are a beautiful people, swarthy and
rosy-cheeked. What is that face? Some deeply hidden beauty, some mountain
hermit beauty. Can’t get a handle on it; I have not seen a people like this
before. Smiles are abundant, stained red with doma, many a missing tooth. Often the elderly gaze up at me with
vitreous cataracts, unblinking. There are deep crevasses that carve their faces.
That great sculptor known as Time has added lines to the crow’s feet around their
eyes, built up scar tissue, folded in wrinkles to make fine layers of parchment
skin. These faces are not like Time’s other works of art—those pretty, young
faces with nary a crease in them, which are also abundant here. No, the faces
that are cracked, withering and delicate, painstakingly detailed, those are the
masterpieces, Time’s lifework reaching the height perfection. Beautiful.
It ain’t all National Geographic though, partner.
There are punks with stringently coiffed hairdos, wearing studded leather
jackets and skinny jeans. There are girls checking themselves out on their
smartphones, primping and preening, pushing up cleavage and verifying the
effect. There are gangs of boys smoking like chimneys, blatantly defying the
nationwide anti-tobacco laws. There are businessmen in suits, and immigrants
from India and Nepal loitering in front of construction sites, and children
with their mothers out shopping for the day. Kiosk attendants look bored.
Police officers intimidate. Homeless beg on the street.
It’s all going on here in Thimphu.
Not a tourist to be seen though. Just as you didn’t
get camera toting, pasty white lookyloos in the dank saloons of the West, it’s
hard to find a foreigner here. I walked the length of the city and didn’t see a
single chillup until getting back to
my hotel and rejoining the group. Capital cities like these are hard to find.
The nearby peaks are fresh with light snow. The
behemoths to the north cannot be seen from my spot in the city, but the feeling
of immensity persists. Forest is abundant.
Thimphu would be a beautiful city to stay in, but I am
headed to The East, where, if the tales are true, it just gets wilder.
My group received a medical briefing from a resident
doctor and the director of the program that brought me here. One story they
recounted about The East went like this:
“A boy from one of the villages was on his way home
for vacation from boarding school. He was on a path he always walked and knew
well. Close to his home, a group of wild boar ran across the trail, very near
to the boy. He stopped, scared by the boars. But then he saw that behind the
boars a leopard was in pursuit. The leopard stopped on the path, distracted now
by the boy, a much easier meal. It pursued the boy. It swiped at him and the
claws caught the boy’s face and tore out an eye. The boy played dead and soon
the leopard left him. The boy arose, took up his eye from the ground and ran
home. His mother fainted when she saw the disfigured boy, so the boy had to run
to his neighbor’s house. The neighbor eventually took him to the hospital,
though they couldn’t save the boy’s eye.”
Such is a story from The East.
What a great time to be alive and in Bhutan, for The
East still exists and there are tales that strike fear. At home in Denver I was
afraid; Bhutan was too foreign, too remote. I was growing content, complacent
perhaps. Now I am even more terrified, that wonderful terror that I made a
commitment to long ago: “Do what terrifies you.” My fear has stoked a fire and
the tales of The East are a bellows, feeding that fear and turning it red hot. And
here I am, a three days journey away.
To The East. To The East. To The East.
2 comments:
What a joy to be reading your writing again. Thank you!
What a joy to be reading your writing again. Thank you!
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